Serial
killers – some of them, at least – are known to collect what criminologists
call “trophies,” memorabilia of their victims. Sometimes they snatch a victim’s
possession, sometimes their souvenir is a body part, cut from the victim’s
corpse.
What
about female serial killers?
We
now know, due to research undertaken in the past five years, that female serial
killers are far more common than the standard criminology literature claims.
Yet the new data does reinforce a number of generalized distinctions between
the sex-specific behavior of male and female serial killers. Most female serial
killers are at least partially motivated
by financial gain. Most kill people they know, the exception being bandits – who
seldom operate solo.
Trophy
collecting is – despite the fact that it applies only to a small minority of
cases – well-known attribute of male serial killers. Famous instances
include Ted Bundy who collected heads;
Jerome Brudos, feet; Charles Albright, eyes; and Jeffrey Dahmer, genitals.
Other serial killers have collected clothing or other inanimate objects
connected to their victims.
From
the Encyclopedia of Murder and
Violent Crime.
“A trophy
is in essence a souvenir. In the context of violent behavior or murder, keeping
a part of the victim as a trophy represents power over that individual. When
the offender keeps this kind of souvenir, it serves as a way to preserve the
memory of the victim and the experience of his or her death. The most common
trophies for violent offenders are body parts but also include photographs of
the crime scene and jewelry or clothing from the victim. Offenders use the
trophies as memorabilia, but also to reenact their fantasies. They often
masturbate or use the trophies as props in sexual acts. Their exaggerated fear
of rejection is quelled in front of inanimate trophies.”
Until
now, not a single female serial killer whose m. o. includes trophy-collecting
has been identified. The exception, just found in the 1928 case of
Axenia Varlan of Romanian Fundul Moldovei in the Bucovina region.
It was a severed hand found in a farm compost pile by
a young maid-servant that began the series of events that led to the arrest of
45-year-old widowed farmwoman, Axenia Varlan. The girl reported her discovery
to her mistress, who promptly threatened her and forbade her to repeat her
story. After Varlan learned the maid had been talking about her mistress in the
village she attacked the girl with a blow to the head with a hoe. But she
survived. Another farmhand took her to the hospital where she related the story
of the mysterious hand. Investigation followed.
It was found that Axenia Varlan murdered at least
nine persons. She murdered family members and farm employees for financial
gain, both substantial and trivial in amount.
When police searched her premises human ears and
other human remains were found. She confessed to have cut them off the corpses
of her victims, to keep them as "memories." Over a period of four years she murdered and then cut into pieces
her four children, her mother, her father, her mother-in-law, her
brother-in-law and a sister of the latter. At her trial psychiatrists declared
her a classic sadist.
In the indictment prosecutors charged that “Varlan strangled her four children, aged
between one and five years old, burned the bodies, and cut off their toes,
ears, noses, and fingers, and kept those body parts in spirit as a keepsake.”
The trial took place in the picturesque little town
of Kimpolung in front of the County Council, which had never before seen so
many strangers within its walls. The building of the District Tribunal had to
be cordoned off by the military. The trial is attended by fifty witnesses and a
number of medical and psychiatric experts and covered by forty journalists.
Hundreds of peasants poured into the town to enjoy the weird spectacle.
At trial Varan was asked by the judge why she
committed the murders. She replied:
“I loved the smell of burnt flesh among the scent of
fir trees!”
Axenia Varlan was examined by psychiatrists and found
morally responsible. Convicted, she was sentenced to forced labor for life. A
docile, unassuming inmate, she occupied herself weaving carpets and sewing
clothes for her fellow-prisoners.
Axenia Varlan, "The Ogress of Bukovina," like hundreds of other female serial
killers, has never appeared in any published list of serial killers. Now, 90
years following her conviction, she becomes part the corpus of a new history of
crime – which sometimes alters what we thought was the settled facts, the
“settled science.”
***
NOTES
Name
variants: Xenia Varlan, Maria Varlane.
Three cases of female serial killers who collected trophies appear to be hoaxes: Vera Renczi (1925) and an un-named Indonesian woman (2012), Natalia Baksheeva (2017, a couple who committed a single murder).
Three cases of female serial killers who collected trophies appear to be hoaxes: Vera Renczi (1925) and an un-named Indonesian woman (2012), Natalia Baksheeva (2017, a couple who committed a single murder).
Contemporary
sources:
“Une
odieuse «femme Landru» en Roumanie - Elle gardait comme souvenir les oreilles
et les doigts de ses victimes “ Paris-Midi (France), 4 Août 1928, p. 3
“Die
Frau, die ihre ganze Familie ausgerottet hat.- Die Massenmörderin von Fundul vor
den Gefchmornen. - Ein Sensationsprozetz inder Bukowina.” Das Kleine Blatt
(Vienna, Austria), 27. Oktober 1929, pp. 4-5
Emmanuel
Bourcier, “Le Bagne Des Carpathes - L'ogresse Maria Varlane,” Paris-soir
(France), 18 Febrier 1932, p. 2
On
trophies:
Hickey,
E. W. (2010). Serial Murderers and Their Victims (Fifth Edition).
Pacific Grove, CA: Brooks/Cole.
Hickey,
E. W. (Ed.). (2003). Encyclopedia of
Murder and Violent Crime. London: Sage Publications.
***
No comments:
Post a Comment